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Truth Is Fragmentary: Travelogues & Diaries
by Gabrielle Bell

ISBN: 9780988901452
172 pages (b&w + color), Softcover, 6 x 9 inches
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"Refreshingly revelatory and charmingly accessible, this book follows up the previous autobiographical comics Lucky and The Voyeurs and easily solidifies Bell’s reputation as one of the greatest autobiographical cartoonists working."
Publishers Weekly, Starred Review

"For an impoverished cartoonist, I do an awful lot of international traveling."

Raw, bare-boned, scathingly funny dispatches from the renown comic diarist Gabrielle Bell, with biting cultural commentary mixed with her signature introspective, self-deprecating humor and surreal digressions (From car driving bears, through Zombie Apocalypses, to cute babies, and… more bears!) as she visits France, Sweden, Switzerland, Norway, Colombia, back to Brooklyn and finally landing in Upstate New York. In Truth Is Fragmentary Gabrielle Bell proves she can be… funny!

Gabrielle Bell was born in England and raised in California. Her work has been selected for the 2007, 2009-2013 Best American Comics and the Yale Anthology of Graphic Fiction, and she has contributed to McSweeneys, Bookforum, The Believer, and Vice Magazine. The title story of Bell's book, Cecil and Jordan in New York has been adapted for the film anthology Tokyo! by Michel Gondry. Her latest book, The Voyeurs, was selected as one of the top 5 GNs of 2012 by Publishers Weekly. She lives in Brooklyn, New York.

Praise for The Voyeurs:

"One of the Best Nonfiction Books of the year."
—Kirkus Reviews

"One of the Best Graphic Novels of the year."
—Publishers Weekly

"Best Graphic Memoir."—The Atlantic Wire

"One of the best things going in auto-bio inflected comics these days."
— Art Spiegelman, Maus

"The Voyeurs is the work of a mature writer, if not one of the most sincere voices of her literary generation. It's a fun, honest read that spans continents, relationships and life decisions. I loved it."
— Chris Ware, Acme Novelty Library

"As she watches other people living life, and watches herself watching them, Bell's pen becomes a kind of laser, first illuminating the surface distractions of the world, then scorching them away to reveal a deeper reality that is almost too painful and too beautiful to bear."
— Alison Bechdel, Fun Home

"A master of the exquisite detail, Bell provides a welcome peephole into our lives."
— Françoise Mouly, The New Yorker